Tuesday, June 29, 2021
Monday, June 28, 2021
selgasArt / Urban Glass
Sunday, June 27, 2021
Saturday, June 26, 2021
selgasArt / UrbanGlass
Friday, June 25, 2021
Wednesday, June 23, 2021
Tuesday, June 22, 2021
Monday, June 21, 2021
Saturday, June 19, 2021
Friday, June 18, 2021
selgasArt / Melt Point / HELLER Gallery
MELTING POINT
Melting Point is the degree when solid becomes soft, eventually becoming liquid and a boiling point is reached. Glaze melts, clay and glass soften, surface and form become pliable. This exhibition surveys a diverse group of artists whose use of the melting point is central to their practice. Used metaphorically, as the planet warms we are finding ourselves closer to the melting point both physically and socially. In 2020, forces combined under pressure of the COVID virus, politics exploded and nature responded with melting ice, raging fires and extreme weather. Likewise, artists use the melting point as a metaphor in their work to express their political beliefs and sound the alarm using the fragile materials of glass and ceramic. The exhibition is a collaboration between Heller Gallery, located New York City’s Chelsea and Ferrin Contemporary in North Adams, MA on the MASS MoCA campus. The co-curators and gallery directors are renowned specialists in their fields, Leslie Ferrin (ceramics) and Katya Heller (glass).
Thursday, June 17, 2021
Wednesday, June 16, 2021
selgasArt / Garrison Art Center / Member Art Roundup!
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Tuesday, June 15, 2021
Sunday, June 13, 2021
Saturday, June 12, 2021
selgasArt / Garrison Art Center / Clay by Deb Lecce: "Two Brothers" Wood Fired Stoneware
Lecce begins each sculpture with the belly of the animal adding coil upon coil of clay while paddling and stretching the clay to find the gesture and spirit of each individual work. Lecce talks about a contemplative mindset during the process of creating and the excitement and challenge that accompanies the transformation of the clay into “sentient” beings. One is struck by the varied earthen colors and patinas of each sculpture. Surfaces resemble stone with sumptuous gradations of rust to burnt umber or semi-gloss slate tones that are warm and inviting. Lecce’s favorite mode of firing is in the anagama wood firing kiln. The anagama kiln (a Japanese term meaning “cave kiln”) is thirty feet long, four feet high and four feet wide. The firing chamber has a firebox at one end and a flue at the other so that the heat and ash pass over the clay pieces before exiting through the flue creating patinas that Lecce refers to as “a kiss of fire and ash.” The firing takes place over seven days with a team of artists coming together and working towards a common goal: to facilitate and witness the magic that transforms their dried clay pieces into fine and durable ceramics. It is an annual event that Lecce looks forward to each year.