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Thursday, December 31, 2009

SAGITARIUS/Jadite Galleries/Jan.5-30/NYC/2010

Cepp Selgas/Sagitarius/acrylic and ink on paper/5x7in./2009.

Wednesday, December 30, 2009

SCORPIO/Jadite Galleries/Jan.5-30/NYC/2010

Cepp Selgas/Scorpio/acrylic and ink on paper/5x7in./2009.

Tuesday, December 29, 2009

LIBRA/Jadite Galleries/Jan.5-30/NYC/2010

Cepp Selgas/Libra/acrylic and ink on paper/5x7in./2009.

Monday, December 28, 2009

VIRGO/Jadite Galleries/Jan.5-30/NYC/2010

Cepp Selgas/Virgo/acrylic and ink on paper/7x5in/2009.

LEO/Jadite Galleries/Jan.5-30/NYC/2010

Cepp Selgas/Leo/acrylic and ink on paper/5x7in/2009.

Sunday, December 27, 2009

CANCER/Jadite Galleries/Jan.5-30/NYC/2010

Cepp Selgas/Cancer/acrylic and ink on paper/5x7in/2009.

Saturday, December 26, 2009

GEMINI/Jadite Galleries/Jan.5-30/NYC/2010

Cepp Selgas/Gemini/acrylic and ink on paper/5x7in/2009.

Friday, December 25, 2009

Thursday, December 24, 2009

ARIES/Jadite Galleries/Jan.5-30/2010

Cepp Selgas/Aries/acrylic and ink on paper/5x7in/2009.

Wednesday, December 23, 2009

PISCES/Jadite Galleries/Jan.5-30/NYC/2010

Cepp Selgas/Pisces/acrylic and ink on paper/5x7in/2009.

HABLANDO BLOGUERIAS / No. 13


OJONET'S

Mi querido amigo René Cifuentes me ha enviado esta bella curiosidad óptico-cinética como regalo visual por mi cumpleaños; y aquí con ustedes la comparto.
Muchas gracias Renesito.

Tuesday, December 22, 2009

ACUARIUS/Jadite Galleries/Jan.5-30/NYC/2010

Cepp Selgas/Acuarius/acrylic and ink on paper/5x7in/2009.

Monday, December 21, 2009

CAPRICORN/Jadite Galleries/Jan.5-30/NYC/2010

Cepp Selgas/Capricorn/acrylic and ink on paper/7x5in/2009.

Sunday, December 20, 2009

¿Premonición para Cuba en 1959 o vieja leyenda?

Selgas / Sobre el bien, el mal y una isla / Acrylic on canvas / 60"x96" / 1999.

“…pero un día la felicidad huyó...se cerraron misteriosamente los caminos de Cuba. Okurri Borokú, diablo cruel y caprichoso, celoso de la dicha de los hombres embrujó la libertad hechizó la isla…”
Cuenta una ancestral leyenda Afrocubana que un ser diabólico llamado Okurri Borokú (Algunos creen que es Echú, un camino oscuro de Elegguá), cerró todos los caminos de Cuba. La única forma de lograr abrirlos era si alguien podía tocar el tambor batá por más tiempo que el diablo podía bailar sin cansarse. Los Ibeyis (jimaguas) se juntaron y engañaron al diablo turnándose en el tambor, mientras que Okurri en su danza no alcanzaba a verlos. Y así fue que Okurri Borokú extremadamente fatigado por la interminable danza, finalmente cae fulminado al suelo. Los caminos se abrieron nuevamente, gracias a la sabiduría y perseverancia de los Orisha-hermanos. Sus análogos católicos son San Cosme y San Damián.
Premonition for 1959' Cuba or Legend?
Okurri Boroku, an evil being (some believe him to be a dark side of Eleggua), closed all the pahts of Cuba. The only way to get them open again was to find someone who could play de Bata drums for a longer time than Okurri could dance. The Ibeyis (twins) teamed up and fooled the devil by taking turns at playing the drums. Okurri, exhausted, fell on the ground. The paths were once again opened, thanks to the wisdom and perseverance of the Orisha-brothers. Their catholic analogous are marthyrs Saint Cosme and Saint Damian.

Saturday, December 19, 2009

CEPP SELGAS / The 13th Sign / Recent Works

Jadite Galleries
413 W. 50th st. NYC 10019
p.212.315.2740 f.212.315.2793
Tue.-Sat. 12-6


Jadite.com

CEPP SELGAS

The 13th Sign

January 5-30

Openings:
Tuesday, January 5th 6-8 pm.
&
Wednesday 13th 6-8 pm.

Friday, December 18, 2009

HABLANDO BLOGUERIAS / No. 11

OJONET'S

Dear Santa: Define good.

Save Santa the trip, just be naughty.

QuoteCrave.net

Tuesday, December 15, 2009

BABALU AYE / San Lazaro

Cepp Selgas / Promises РBabal̼ / Acrylic on canvas / 60" x 72" / 2000.
Babalú (the protagonist of my painting above) was the first Orisha (African deity) that made the most long lasting crossover in USA culture, thanks to the I love Lucy show with Ricky Ricardo's infamous song Babalú in the early years of television -a little more that half a century ago. This song still very well known by practically every American today. Every body knows the song but only a few know what the Afro-Cuban Orisha it's all about: Babalú is the Yoruba equivalent of the biblical Saint Lazarus. Although Ricky Ricardo's rendition of it made him famous, another Cuban Miguelito Valdés’ version is by far superior:
http://www.youtube.com/watch?v=Qj6KhQfpjOo&feature=PlayList&p=C3E3DEA765CF5656&playnext=1&playnext_from=PL&index=15

Saturday, December 12, 2009

HABLANDO BLOGUERIAS / No. 10

OJONET'S
Your life is made up of years that mean nothing, and moments that mean it all.

Anonymous-QuoteCrave.Net

Tuesday, December 8, 2009

HABLANDO BLOGUERIAS / No. 9

OJONET'S
El viernes pudimos ver en la Casa Bacardí del Instituto de Estudios Cubanos y Cubano Americanos de la Universidad de Miami, la presentación digital del portafolio biográfico de Víctor Gómez, A Masterful Journey/Viaje magistral, por el curador Gustavo Valdés, quien actualmente colabora con el Arts Atelier en París, junto a Zoé Valdés y Ricardo Vega...
http://www.elnuevoherald.com/entretenimiento/olga-connor/story/604535.html

Speaking of Caprices


Mirroring the paintings’ behavior in Zoe Valdés' new book Una novelista en el museo del Louvre my diptych Virgo, made a trip to sunny Miami where it was exhibited at Agustin Gainza Arts. The paintings which took a break from the cold winter of NYC will return just in time to be shown at Jadite Galleries in midtown Manhattan in next January.

Wednesday, December 2, 2009

SANTA BARBARA / SHANGO

Cepp Selgas/Shango Blood and Milk/acrylic on canvas/60"x72"/2000.


The great Andres Serrano has a photograph which it's just the picture of two rectangular containers; one with filled blood and the other with milk. That striking image has haunted me since I first saw it at the New Museum of New York in the mid-eighties . It happens that when I was trying to conceive a painting representing Shango, for my show Los hijos de los Dioses, back in 2000 for Agustin Rivero Gallery in Coral Gables; my Shango Blood and Milk became an homage to such Serrano's masterful photograph.
Some believe that the white accent in Shango's red cloth represents the symbol of his mother's milk: Obbatala. And of course the color red symbolizes blood; the warrior's blood or War it self.